Boris Vian Overview

Boris Vian was a French polymath: writer, poet, musician, singer, translator, critic, actor, inventor and engineer. He is best remembered today for his novels. Those published under the pseudonym Vernon Sullivan were bizarre parodies of criminal fiction, highly controversial at the... [more]

Boris Vian was a French polymath: writer, poet, musician, singer, translator, critic, actor, inventor and engineer. He is best remembered today for his novels. Those published under the pseudonym Vernon Sullivan were bizarre parodies of criminal fiction, highly controversial at the time of their release. Vian's other fiction, published under his real name, featured a highly individual writing style with numerous madeup words, subtle wordplay and surrealistic plots. L'Écume des jours is the most known of these works, and one of the few translated into English. Vian was also an important influence on the French jazz scene. He served as liaison for Duke Ellington and Miles Davis in Paris, wrote for several French jazz-reviews (Le Jazz Hot, Paris Jazz) and published numerous articles dealing with jazz both in the United States and in France. His own music and songs enjoyed popularity during his lifetime, particularly the anti-war song Le Déserteur. On the morning of June 23, 1959, Boris Vian was at the Cinema Marbeuf for the screening of the film version of J'irai cracher sur vos tombes. He had already fought with the producers over their interpretation of his work and he publicly denounced the film stating that he wished to have his name removed from the credits. A few minutes after the film began, he reportedly blurted out: "These guys are supposed to be American? My ass!" He then collapsed into his seat and died from sudden cardiac death en route to the hospital. [show less]