Thelma Golden, Image via: Boing Boing Modernism and the Global Diaspora isn’t the most striking title for a talk I’ve ever heard, but the description sounds interesting.��� From the press release: On December 1, School of Visual Arts brings a group of critics, curators and artists together for���a conversation about…changing terrain of contemporary art in light of [...]

This week on Disquiet.com, all five daily Downstream entries are going to be culled from the great resource soundcloud.com. I’m at soundcloud.com/disquiet. The sound artist Stephen Vitiello performed recently at Mills College in Oakland, and for folk who didn’t make the performance, myself included, a nearly 12-minute recording of a soundcheck has been uploaded to Vitiello’s [...]

Below is brief, quickly cobbled together, somewhat lo-rez slideshow of the new Gristleism device, a collaboration between industrial-rock legends Throbbing Gristle and Christiaan Virant, who as half of FM3 was responsible for the development of the Buddha Machine. Like the Buddha Machine...

BOMB Gala Support BOMB Magazine December 10th and buy some art!

In this week’s roundup, Art21 artists play with fire, sign new books, design stained glass, collage basketballs, create new films, and pop up in Miami Beach exhibitions: Carl Solway Gallery in Cincinnati is paying homage to installation art with their exhibition Walls, Ceiling & Floors, which...

Digitale Folklore Reader Edited by Olia Lialina & Dragan Espenschied. WANT

Interview: Christopher R. Weingarten of @1000TimesYes - EYE WEEKLY MUST READ. Hands down amongst the top ten interviews I’ve ever read with a critic.

POST BY PADDY JOHNSON The NADA Entrance. Photo: Art Fag City For those who haven’t already seen this year’s best Miami Art Fair Guide, Boyd Level delivers for the third year running. Given that the art advisory service has created our Miami itinerary for us, we won’t be posting our own, though we...

POST BY���PADDY JOHNSON Tim Burton, Untitled (True Love), 1981-83, pen and ink, watercolor wash, and colored pencil on paper, 12×14 inches, Private collection. Image via: MoMA.org It’s great MoMA doesn’t make museum members wait to get into the Tim Burton exhibition with the rest of us unwashed...