Some of my favorites from the Wild Things' Forts contest by Booooom, where you can send in your picture of a fort.... Here's the explanation:

Where The Wild Things Are is filled with references to building a world out of things from your everyday...

Found here via here.

Audience by Chris O'Shea. A very interesting technical description can be found here.

in collaboration with David Ellis.

COMBO a collaborative animation by Blu and David Ellis (2 times loop) from blu on Vimeo.

Watch the edges; yet another birth, another coming-to, another attempt at elucidation, lucid, try lucidity, for a change, just watch the edges, and also, try to aim at the opaque, but where's the opaque in the translucid, and how, how does it Elucidation: an act of explaining that serves to...

Apparently, the National Railway Workers installed a handrail on Richard Serra’s sculpture in Duedingen, Switzerland. Why would anyone want the autonomy of the artist? (via)

What is this choir of possibilities you offer me? Where can it take us? What tragic song may be ours, what sort of future may a non-future contain? Then again, isn't it just a question of measure? Stop here. Stop here. The still. The gesture, frozen, with the impossible life no less...

Works by Janine Antoni (the first one is a sculpture - a cast of the artist - and not a photo of a performed action, as is the case with the second one). And as a bonus, a work by her called Umbillical (2000), made of a "sterling silver cast of family silverware and...

a comparison of Karol Radziszewski's To Pee In a Bun and Nicolas Grospierre's Kunstkamera The two recently* opened exhibitions at the main two contemporary art centers in Warsaw – Zachęta and the Contemporary Art Center – have some clear similarities. Both exhibitions are witty, explicit dialogues with art history. They both play on the distance that separates contemporary art conventions from what has been somewhat recklessly left behind. Radziszewski exhibits works hidden in the depths of the national gallery’s archives. Some are excruciating to look at, others are curious discoveries or brilliant works. Grospierre goes back to the format of the Kunstkammer and...