by Ryland Walker Knight —Don't look back.

by Ryland Walker Knight —Quick, before we think.

by Ryland Walker Knight [Spent a lot of last week running around town, and working on a non-cinematic (ahem, paid) writing project, so movies took a necessary back seat. I read instead. And, yeah, with this work and the basketball options in high definition (not to mention a visit to Oracle...

by Ryland Walker Knight [The Resnais series playing at the PFA this month and next is part of a broader, traveling retrospective with a concurrent run in Chicago at the Gene Siskel Film Center and a proposed stop at the newly renovated Museum of the Moving Image in early 2010.] Parts of...

Joy oh joy. The Siren has found her copy of George Sanders' Memoirs of a Professional Cad. This was purchased some months ago for $95 on Amazon and it was worth every penny. The Siren let out a whoop of joy when she uncovered it in a box otherwise devoted to shoes and small trinkets. So, to...

by Ryland Walker Knight Today you can go out and buy one of my favorite movies not only of last year but of all time: Arnaud Desplechin's A Christmas Tale. I'll have more to say over in The Auteurs Notebook shortly, but for here, for now, know now that it's worth every...

by Ryland Walker Knight — Gorgoneion aegis

by Ryland Walker Knight —No exit

• Richard Pryor Live on the Sunset Strip [Joe Layton, 1982] # So dark, so perfect, so hilarious. So hard to be good at standup. You can watch it online over here, but we watched it on cable. We all fell over a lot.
• Mon...

Kino Fist will be making a slight, last-minute return to tie in with the Historical Materialism conference. Due to mine and Nina's current workload may unfortunately lack a zine, but it will be in the salubrious environs of the Hotshoe Gallery in Farringdon. It will feature two films of a rag...