layered / theme

The Poetics of the Limit

http://books.google.com/books?id=QDtV...

http://books.google.com/books?id=QDtV5O7Bh6QC This book situates Louis Zukofsky’s poetics, and the lineage of Objectivist poetics more broadly, within a set of fundamental ethical concerns in American poetic modernism. Tim Woods makes a strong case for Zukofsky as a missing key figure within this ethical matrix, viewing Zukofsky’s poetry through the lens of the work of Theodor Adorno and Emmanuel Levinas. Building an ethical genealogy of American poetics leading from Zukofsky through the contemporary school of L•A•N•G•U•A•G•E poetry, Woods brings together modernism and postmodernism, ethics and aesthetics, to shed new light on our understanding of this neglected strain of modernist poetics. uis

Arc Music, world and folk music

http://www.arcmusic.co.uk/

A very excellent catalogue of titles from over 100 countries.

Film Journals and Magazines

http://www.world-newspapers.com/film-...

Here is a very good list of leading film magazines and journals with links to their online sites.

F&Art

http://fartguide.blogspot.com/2007/08...

excellent things there. F&A is about fashion art design style music books magazines interviews kritik berlin. magazines another backstage magazine fairytale fashion156 hint iconique indie la couture lula mode depesche Monopol N.E.E.T. Numero Nylon Parabol pretty pretty Purple FASHION push rojo selfservice sleek style.com Texte zur Kunst This is not... Tokion workwerk blogs allure bobble bee cafe mode cherry blossom girl chic looks childhoodflames coacd coco's tea party coutorture diane pernet dolls realm dreamecho elisita enchant and doom FASHION ADDICT DIARY fashion does it better fashion verbatim fashionalities fashionderek fashionologie garance dore girl woman beauty brains blog glamourstylist golden with migraine hello jupiter hope hope inspire the starling into the fray jack and hill jankasphere jaques bagios joanna goddard kingdom of style krisatomic kunst blog la femme made by girl making things martin vallin milk miss at la playa miss dior couture mode et plus mode et utopie montmarte my love for you painfully hip playground imperfection pourporter preik seamsters search and destroy shiny squirrel simply olive So FASH'on style bubble style bytes stylebite stylehive stylekingdom swandiamondrose the artist and his model the coveted the fashioniste the stylophile tschilp we make money not art who what wear

Dance, Dance, Revolution

http://profile.myspace.com/index.cfm?...

Engaging in a practice of permissive exploration, we strove to develop various formats for critical exchange that are both intellectually rigorous and playful. This intuitive and open generation of ideas, coupled with the speed and intensity necessitated by a limited creation period, propelled us towards an approach of decentralization. Not only did we as a Curation/Production group conceptualize and develop events, we also invited other artists to engage in the shaping of the festival. As a group we have nurtured a spirit of irreverence, and encouraged omni-directional experimentation throughout the festival’s framework. We offer a skeleton, a potentiality. We are excited to see where and how it will meet you. With love, Rebecca Brooks, Beth Gill, Erika Hand and Isabel Lewis. Neal Beasley was a member of the Trisha Brown Dance Company from 2003-2007. He is a graduate of Idyllwild Arts Academy and holds a BFA in dance from NYU/Tisch School of the Arts. In his newfound freelance life, he is currently scheduled to work with choreographers Beth Gill, Eleanor Bauer, and Larry Keigwin. He has taught technique and repertory internationally for TBDC, as well as in the New York studios. He directed rehearsals for Ms. Brown's creation for the Paris Opera Ballet, both in its 2004 debut and the revival earlier this year.

Arts Alive

http://www.artsalive.ca/en/dan/dance1...

The aim of ArtsAlive.ca Dance is to enhance your enjoyment of dance by providing the background and knowledge you seek. Maybe you want to learn how to assess and critique a performance; gain greater appreciation for the elements of dance on stage and off; find out who’s who in the world of dance – all this and more is at your fingertips, through ArtsAlive.ca Dance.

James Wagner

http://jameswagner.com/culture/2007/08/

James Wagner lives in New York and writes about art and politics on jameswagner.com. He is the editor, along with Barry Hoggard, of the arts calendar ArtCal.

Portal to Chinese Art

http://www.artzinechina.com/

The Real Thing: Contemporary Chinese

http://www.tate.org.uk/liverpool/exhi...

The energy of the Chinese arts world is not contained, codified, and confined like a lot of work elsewhere; there is a plurality of practice and style, none of which can be said to represent Chinese art. Any idea of a unitary or coherent identity, for the country as much as for the art, has collapsed into an open space of possibility and opportunity.

Look Back: Influences and Major Figur...

http://ferdyonfilms.com/2006/02/look-...

You could argue--at least the pervert in me would--that the British New Wave kicked off with Terence Fisher's The Curse of Frankenstein, in the same way Vadim's trashy Et Dieu...crea la femme gave the French New Wave its start by proving commercial viability and reinvigorating a moribund industry. You can at least trace the beginning of Brit pop culture as an individual, powerful force from that point.