kaleidoscopic / theme

Towleroad

http://www.towleroad.com/

Towleroad is a leading online news source offering a broad range of information on politics, pop culture, gay culture, media, entertainment, photography, fashion, technology, men, music, and travel.

Made in Brazil

http://madeinbrazil.typepad.com/

MADE IN BRAZIL IS A BLOG ABOUT FASHION, ENTERTAINMENT, TOURISM, AND ALL THINGS BRAZIL. MADE IN BRAZIL COLLABORATES WITH MAGAZINE EDITORS, DESIGNERS, PHOTOGRAPHERS, AND AGENTS IN TERMS OF ESTABLISHING LINKS BETWEEN FOREIGN AND BRAZILIAN BUSINESSES, AS WELL AS PROVIDING RELIABLE AND UP TO DATE NEWS ABOUT THE LATEST TRENDS IN THE COUNTRY.

F&Art

http://fartguide.blogspot.com/2007/08...

excellent things there. F&A is about fashion art design style music books magazines interviews kritik berlin. magazines another backstage magazine fairytale fashion156 hint iconique indie la couture lula mode depesche Monopol N.E.E.T. Numero Nylon Parabol pretty pretty Purple FASHION push rojo selfservice sleek style.com Texte zur Kunst This is not... Tokion workwerk blogs allure bobble bee cafe mode cherry blossom girl chic looks childhoodflames coacd coco's tea party coutorture diane pernet dolls realm dreamecho elisita enchant and doom FASHION ADDICT DIARY fashion does it better fashion verbatim fashionalities fashionderek fashionologie garance dore girl woman beauty brains blog glamourstylist golden with migraine hello jupiter hope hope inspire the starling into the fray jack and hill jankasphere jaques bagios joanna goddard kingdom of style krisatomic kunst blog la femme made by girl making things martin vallin milk miss at la playa miss dior couture mode et plus mode et utopie montmarte my love for you painfully hip playground imperfection pourporter preik seamsters search and destroy shiny squirrel simply olive So FASH'on style bubble style bytes stylebite stylehive stylekingdom swandiamondrose the artist and his model the coveted the fashioniste the stylophile tschilp we make money not art who what wear

Dance, Dance, Revolution

http://profile.myspace.com/index.cfm?...

Engaging in a practice of permissive exploration, we strove to develop various formats for critical exchange that are both intellectually rigorous and playful. This intuitive and open generation of ideas, coupled with the speed and intensity necessitated by a limited creation period, propelled us towards an approach of decentralization. Not only did we as a Curation/Production group conceptualize and develop events, we also invited other artists to engage in the shaping of the festival. As a group we have nurtured a spirit of irreverence, and encouraged omni-directional experimentation throughout the festival’s framework. We offer a skeleton, a potentiality. We are excited to see where and how it will meet you. With love, Rebecca Brooks, Beth Gill, Erika Hand and Isabel Lewis. Neal Beasley was a member of the Trisha Brown Dance Company from 2003-2007. He is a graduate of Idyllwild Arts Academy and holds a BFA in dance from NYU/Tisch School of the Arts. In his newfound freelance life, he is currently scheduled to work with choreographers Beth Gill, Eleanor Bauer, and Larry Keigwin. He has taught technique and repertory internationally for TBDC, as well as in the New York studios. He directed rehearsals for Ms. Brown's creation for the Paris Opera Ballet, both in its 2004 debut and the revival earlier this year.

Arts Alive

http://www.artsalive.ca/en/dan/dance1...

The aim of ArtsAlive.ca Dance is to enhance your enjoyment of dance by providing the background and knowledge you seek. Maybe you want to learn how to assess and critique a performance; gain greater appreciation for the elements of dance on stage and off; find out who’s who in the world of dance – all this and more is at your fingertips, through ArtsAlive.ca Dance.

Artists Meeting

http://artistsmeeting.org

Artist Meeting is a nascent collaborative arts group, composed of new media And socially-based artists, curators, and critics. Our work involves a long-term experiment to re-structure creative production through an artist-centered funding and valuating mechanism, which we are currently designing.