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In this post, I would like to expand upon one of the artists I cited in my previous ’10 for 2010’ entry.


 


Defending Kanye


It’s fascinating how the perception of contemporary mainstream artists can change so quickly. Despite rave critical reviews and three Grammy awards for Best Rap Album, the general public is now declaring that Kanye West is terrible. He has made some outlandish comments – commandeering the stage at the Video Music Awards is perhaps his most egregious gaffe – but his oeuvre really speaks for itself. Except for Eminem, I cannot name another hip-hop artist emerging in the past decade who has been so consistently interesting in terms of both music and persona.


Persona, of course, is extremely important in popular music. It is sometimes difficult to determine if the artist himself has the primary input on their image or if the image has been manufactured by managers and handlers. In West’s case, I believe it is the former. He has not accomplished this by himself, but he has chosen some very astute collaborators (Takashi Murakami, Jon Brion, Hype Williams, Spike Jonze) to aid him in his creations. West is an auteur, controlling the vision for his persona, much like directors influence the final vision of a film.


While West is firmly rooted in the hip-hop tradition, his work refreshingly goes beyond hip-hop in its outlook. He samples heavily, but from varied sources – the obligatory soul samples to Steely Dan to Daft Punk. These older songs are reconstituted in ways that sound fresh as compositions but are fun for sample spotting as well. West’s videos never fall into hip-hop clichés like slow-motion dancing girls, flashing bling and gang signs, etc. Some, like All Falls Down and Flashing Lights, barely feature West at all.


West is not the most innovative or experimental musician working today, but he is quite progressive for a mainstream artist. He obviously wants to produce popular hit singles, but last year’s album 808s and Heartbreaks shows that he is willing to step out on a limb and create something that may be interesting only to himself. I am hoping that Kanye will keep looking forward; if he can keep his ego in check, he may create some amazing music in the future.


 

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“Can anyone help me get out of jail? They caught me for being too HOT & SEXY... didn't know it was a crime. I need some irritatingly sweet escape. Waiting Nicole..”
Posted over 3 years ago
(Hide)  
Max says:
“I'm still having difficulty with the reference to a pop star as being an 'artist'....... ”
Posted over 4 years ago
Adam Scott Neal replies:
“I think there is more of a continuum than a divide between low and high art. I too have trouble calling prepackaged singers (Britney, et al) as 'artists.' When their material (especially self-composed) begins to go beyond basic 'let's party' ideas, it starts to become artistic.”
Posted over 4 years ago
“I am a big Kanye fan and always have since his early days as a dj/producer in Chicago. I take his ego and personality with a grain of salt and often times find his antics quite entertaining. With that said, I find that some people are starting to turn on him AND his music because of these antics. I, for one, think that is a shame. He has been progressive in his music and has really pushed the envelope and done some great things. As much as someone might hate him for what he does or says, I think it is best to keep this separate from his music. I mean the late Michael Jackson was missing a few screws but no one can deny how great his music is! So, I agree that Kanye should be defended for his musical prowess. If you don't like him personally that is fine, but at least give his music a chance.”
Posted over 4 years ago
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