In his calloused hands, with dirt under his fingernails, he carried the same torch that Wordsworth and Coleridge had used to set poetry aflame. Raymond Carver employed "the language really used by men" to tell the story of the damaged white American. Broken hearts populate Carver's literary country;
"I have made London my home. For ten years, I avoided thinking about the China I had left behind. Then in 1988, my mother came to England to visit me. For the first time, she told me the story of her life and that of my grandmother. When she returned to Chengdu, I sat down and let my own memory surge
For most of the twentieth century, even as Latin American writers began to achieve world renown for their cutting-edge work, Brazil found itself without a laureate. That is, until Clarice Lispector joined the fray. Born in the Ukraine, Lispector was raised in northeastern Brazil, where she was expose
According to Critic JoAnn Cannon, the key to Italo Calvino's renowned final novel, "Mr. Palomar" (1983), lies in several innovative literary ideas outlined in three essays written in the 1950s (and now included in the 1982 collection "Una pietra sopa"). These essays grappled with his contemporaries'