Who was Peter Sellers? The ultimate impersonator, the most accomplished of mimics, he kept his identity a moving target. Take Kubrick's "Dr. Strangelove." Sellers played three characters, each with a distinct philosophical viewpoint. As the loudmouthed U.S. president, a British captain, or a mad inve

Chance, Comedies, Event, Excessive, Funny, Physical force, Playful

It took Mike Leigh many years to perfect his dramatic technique and find the ideal actors to collaborate with, but he did. Ever since he discovered improvisation while training as an actor at the Royal Academy of Dramatic Art, he has made it the core of his productions. Beginning without a script, Le

Chance, Dramatic, Event, Improvised, Young british/kitchen sink/free cinema

Twenty minutes to collect 100,000 deutsche marks. Pulsating techno. Whip pans and fast edits. A fiery heroine with dyed-red hair frantically running to save her boyfriend's life. "The initial idea was an image," says 34-year-old director Tom Tykwer. "The image of a woman running." This apparently or

Avant-garde film, Bright, Cartoonish, Chance, Charming, New german cinema, Pop, Repetition, Smart

Trained as a filmmaker Lafia's work is informed by a joyous engagement with the formal qualities of artistic practice. In his own words, his "work is an exploration of how discourse constructs itself." His early experimental films -- "Auto-re-tour" and "Fini La Guerre" -- investigate the tensions be

Avant-garde film, Chance, Collage, Ebullient, Excessive, Loose, Net art, Open-ended, Playful, Sprawling, Wise assy