My work evolves in a conceptual space where social and political ideas encounter the material processes of handwork and industry, where the organization of fields and the objects they help generate is constantly subverted by the swarming, anarchic energy of the objects themselves. Extrapolating from
Modernity meant the abandonment of myth, symbolism, and classical ideals in favor of science, the natural, and "real life;" these changes are well represented in the paintings of Camille Pissaro. Pissarro developed his style by exploring the roads, countryside, and urban landscapes of France. He woul
Donatello brought the sculpted body back to life after its long Medieval slumber. Whereas earlier sculptors, prompted by Christian prudery, had drained the body of its vigor, cloaked its nakedness, and stripped it of individuality, Donatello revealed the body as a singular organic unity. He observed
As social animals, we are forced into constant acts of duplicity. Certain situations demand that we act ebullient when we feel depressed, polite when we feel hatred, social when we feel hermetic. Such is the conflicted nature of the social mask. Exchanging these masks at a moment's notice seems to be