Biting, chewing, spitting, and blinking are only some of the bodily processes Janine Antoni employs to create her art. She sets her teeth to enormous blocks of chocolate and lard; she dips her hair in paint and mops the floor with it; she lades her eyelashes with eyeliner and patterns the canvas by b
Is the man in Fang Lijun's "Series II: No 2" (1992) screaming or yawning? Is this extreme anguish or utter boredom? And what is his relation to the group of almost identical men standing in the distance behind him? Is he just one guy in a crowd of undifferentiated guys, or is he asserting his individ
Courageous dancing is no anomaly in Japan, but the particular kind of bravada that H*Art*Chaos brings to the Western dance world is definitely a new import. Sakiko Oshima formed her all-woman dance company in 1989 with the intention to overturn traditional concepts of female bodies and their modes of
In the unceasing rush of the modern world, everything conspires to prevent meditation, awareness, or faith in anything greater than the day's events. Much of contemporary poetry reflects the confusion of accelerated lives: Language poetry presents us with our dislocated selves, while the work of Ashb