Beverley Bennett's practice revolves around the act of drawing and the perpetual possibilities it possesses. Acts of play evolve into ritualistic, performative, labour intensive actions that generate a greater understanding of the processes of making, allowing th
Pedro Costa has made digital works since the turn of the 21st Century due to a number of influences and philosophical premises. Through his 1997 film, Ossos (Bones), Costa shot on film and perfected a style of shadow and elision equal parts Bresson, Rivette, Ford and Tourneur. After working in the Li