Fuzzy, Mathematical, Rhythmic

Trained in philosophy at Harvard under Stanley Cavell before the cinema at AFI, Malick’s slim oeuvre foregrounds this inheritance: each of his four features to date is a period piece of American history; each trains an eye on the natural world (and its relationship with humans and human technologie

Atmospheric, Beautiful , Chance, Citational, Contemplative, Dreamy, Ebullient, Elegant, Event, Feminine, Figurative, Fleeting, Flux, Hypnotic, Illusive, Joyful, Lyrical, Melancholy, Mythic, Open-ended, Perceptual, Playful, Polychromatic, Primal, Quiet, Rhythmic, Self-reflection, Silence, Smart, Sprawling, Sublime, Tragic, Tranquil, Violent, Visceral

Pedro Costa has made digital works since the turn of the 21st Century due to a number of influences and philosophical premises. Through his 1997 film, Ossos (Bones), Costa shot on film and perfected a style of shadow and elision equal parts Bresson, Rivette, Ford and Tourneur. After working in the Li

Architectural, Beautiful , Bright, Collage, Contemplative, Egalitarian, Event, Experimental, Geometric, Gritty, Intimate, Joyful, Perceptual, Political, Quiet, Rhythmic, Rough, Severe, Spare, Spectral, Subtle

Sherman J. Alexie, Jr. was born in October 1966. A Spokane/Coeur d'Alene Indian, he grew up on the Spokane Indian Reservation in Wellpinit, WA, about 50 miles northwest of Spokane. Born hydrocephalic (water on the brain), Alexie underwent brain operation at the age of six. He survived the surgery,

Angry, Dark, Death, Deconstructive, Dreamy, In-your-face, Lyrical, Mythic, Native american fiction, Native american poetry, Pioneering, Playful, Political, Post-colonialism, Rhythmic, Rough, Spiritual, Tragic, Tribal