Jane Campion's lush study of repression, "The Piano," contains an enduring image: high cliffs tower over a deserted beach, waves crashing and rolling upon the cold sand. Deposited in the tide is a black piano, a misplaced presence seemingly dropped from heaven. It is a solitary signifier of humanity
With an unerring ability both to describe evil and to place himself in its path, Polanski has created a body of work that never fails to elicit shudders and raise questions. He possesses a mordant insight into the politics of sex
and violence, an inherent feel for the macabre, and an eccentric and
Another talented chip off the German Expressionist block, F. W. Murnau had a penchant for horror. With "Nosferatu" (1922) he brought the first of countless Count Dracula stories to cinematic light. Murnau made his Dracula as hideous, doomed, and gloomy as later incarnations are suave, elegant, and ta