Although too erratic in technique to earn the distinction of virtuoso, Rudolf Nureyev still took a place among the most brilliant dancers in history. His flamboyance and charisma garnered him a truly massive audience; it's possible that his dancing has been seen by more people than that of any other
He was known with affectionate reverence as "Mr. B," and that imperious initial may as well have stood for "ballet" itself. Without George Balanchine, there would be no American ballet, only ballet in America. The self-proclaimed artistic descendent of the great Russian choreographer Marius Petipa, B
Orlan is a devoted martyr and a jaded exploitationist, a sincere Feminist and a technological utopianist, a social artist and a shameless self-promoter all rolled into one. Her ongoing Performance art piece, which has been variously entitled "The Reincarnation of Saint Orlan" and "Image -- New Images
"In the beginning there is nothing. It starts very small and becomes bigger." Pina Bausch creates epics, but they always retain that quality of having come from absence, of having been built piece by piece. Bausch's dances start with a single concept -- a kernel of movement, a memory -- which she bui