Errol Morris may be always be known as the man who inspired director Warner Herzog to eat his own shoe, but the storied career of the Academy Award winning documentarian has done its own part to establish him as an artist who can surely walk on his own two feet.

Born in New York in 1948, M

Absurd, Angry, Beautiful , Catastrophe, Clever, Collage, Conceptual, Contemplative, Dark, Death, Deconstructive, Dense, Distorted, Dramatic, Dreamy, Eclectic, Enigmatic, Excessive, Expansive, Experimental, Functional, Grand, Gritty, Grotesque, Hallucinatory, Improvised, Intense, Ironic, Layered, Manic, Melancholy, Moody, Neurotic, Perceptual, Perverse, Pioneering, Political, Power, Primal, Profane, Psychological, Quirky, Rebel, Rough, Serial, Severe, Smart, Sophisticated, Tense, Tragic, Urban, Violent, Witty

Jean Epstein had a theory. The star of his theory was the machine -- an anti-hero, a character the audience loved to hate. Epstein recognized the machine as an extension of humans, who manipulate objects, but magnificently immortal. A filmmaker, Epstein cast the camera, his own personal extension, in

Clever, Hallucinatory, Intense, Machinistic, Manic, Surrealist film