When explaining the physical sensations of her movement, Mary Wigman seemed to describe an intimate duet in which the surrounding space was her partner. Space for Wigman was animate, actively molding and defining her movments. She described the way air pressed down on her limbs to create gestures, an

Dramatic, Ecstatic, Intense, Physical force

Descartes isolated himself in a cabin, set a ball of wax in front of himself, and set about determining what he could know. Martin Heidegger, some 300 years later, saw this thought experiment as all wrong: Descartes should have picked up the wax, used it, molded it. For Heidegger, the truth is reveal

Contemplative, Deconstruction, Ecstatic, Illusive, Phenomenology, Repetition, Spectral, Spiritual

He earned his name from the frenzied, high-pitched solos that make so many heads spin. By climbing into the trumpet's two highest registers and belting out syncopated feats of harmonic daring, Dizzy Gillespie developed an indubitably revolutionary sound. Bebop, that high-speed, rhythmically and tonal

Bebop, Ebullient, Ecstatic, Improvised, Intense, Pioneering, Swing/big band

"In the beginning there is nothing. It starts very small and becomes bigger." Pina Bausch creates epics, but they always retain that quality of having come from absence, of having been built piece by piece. Bausch's dances start with a single concept -- a kernel of movement, a memory -- which she bui

Bombast, Ecstatic, Epic, Euro-surreal expressionism, Repetition