At the heart of Mapplethorpe's photography there is a paradoxical tension between outrageous content and intensely controlled presentation. Mapplethorpe's images are often sufficiently obscene to be considered pornography (even by the artist himself), while his overall aesthetic is chaste, classical,
According to photographer Cindy Sherman, "The male half of society has structured the whole language of how women see and think about themselves." In "Untitled Film Stills" (1977-1980), Sherman featured herself in various guises that resemble stock characters from Hollywood melodramas, providing a Po
Manny Farber, though still much-revered as a film critic, eschewed film in favor of painting. Farber began writing film reviews for The New Republic in 1942. He continued his film career through the 1970s, writing most notably for publications such as Film Comment. As his book "Negative Space" (1970)
If Postmodernism raises low art to the level of high art, it also allows folks who control the media to cash in on subcultural trends: Rap, grunge, vogueing, whatever. Andy Warhol made a joke of it, but Keith Haring turned the tables. When this Graffiti artist lifted his brush to the walls of subways