Known as the experimental and uncompromising bad boy of post-war Danish design, Verner Panton pushed the design envelope as far as he could. He used steel wire frames and molded plastic like no designer before him. And then there were the textiles. Panton created total atmospheric experiences; his fa
Emilio Pucci wasn't exactly Austin Powers -- he didn't time-travel or spy, and his teeth were good. But like Powers, he was a man of many talents. He was an aristocrat, a fighter pilot, a war hero, an Olympic skier, and later, a wildly successful designer, a politician, and a winemaker.
Born in 191
Cornelius, a.k.a the Orangutan, and Keigo Oyamada, escapee from the Planet of the Apes, sports a prodigious musical appetite and thorough metabolism. He is The New Music Machine, playing all the instruments, singing, producing, sampling, and composing. In a sense, Cornelius is an embodiment of all th
Mouse on Mars spins symphonies of wet blips, bleeps, buzzes, and beats into disjointed ditties of electronic joy. Since the early '90s, the D'sseldorf duo of Jan St. Werner and Andi Toma has been composing a world within an electronic soundscape that is anything but cold. It's as if these two only fi