Known as the experimental and uncompromising bad boy of post-war Danish design, Verner Panton pushed the design envelope as far as he could. He used steel wire frames and molded plastic like no designer before him. And then there were the textiles. Panton created total atmospheric experiences; his fa
"Art," Yayoi Kusama once said, "is both the symptom and cause for my obsession." Indeed, her works -- many of which amalgamate thousands of polka dots into recognizable forms -- are the manifestation of the spots, nets, and flowers that she has seen in hallucinations since childhood. Many cite her tr
"Formerly we used to represent things visible on earth, things we either liked to look at or would have liked to see. Today we reveal the reality that is behind visible things, thus expressing the belief that the visible world is merely an isolated case in relation to the universe and that there are
Salvador Dali was half-artist, half-imp, and all lunatic. Heavily influenced by Sigmund Freud's theories of dream interpretations and the subconscious, Dali sought to depict not visible objects but their associated images and subconscious meanings. For Dali, the life of the mind was life itself, and