A graduate of the film programme at Toronto's Ryerson University (where he studied with avant garde filmmaker R. Bruce Elder, among others,) Bruce McDonald is a fan favourite in the world of independent Canadian film. His career actually began in high school, including one film that made $100 at a sc
Pedro Costa has made digital works since the turn of the 21st Century due to a number of influences and philosophical premises. Through his 1997 film, Ossos (Bones), Costa shot on film and perfected a style of shadow and elision equal parts Bresson, Rivette, Ford and Tourneur. After working in the Li
Lynne Ramsay has the qualities of a good ghost: she swings open doors and pulls back curtains, not to nag or threaten but just to remind the present of the values of the past. In her short career as a director and writer, Ramsay has brought a beautiful, slowed-down sensibility back into contemporary
If Britain had a blacklist during the Thatcher era, Ken Loach was on it. Pound the pavement though he might, he couldn't persuade anyone to fund his films. His made-for-TV documentaries met with steep resistance -- in fact, his depiction of the 1984 coal miners' strike was banned outright. Why? Loach