In July of 1883, an average middle-class Jewish family in an average suburb of Prague (then in Austria) ushered into the average world a new creature: Franz Kafka. He would never forgive them for this unnatural act of torture.
Franz kept his neurosis quietly to himself throughout his childhood, r
Salvador Dali was half-artist, half-imp, and all lunatic. Heavily influenced by Sigmund Freud's theories of dream interpretations and the subconscious, Dali sought to depict not visible objects but their associated images and subconscious meanings. For Dali, the life of the mind was life itself, and
Imagine holding the end of a live wire in each hand. Now imagine one end is shaped like a turtle and the other end is, let's say, Pavarotti's beard. Now bring them together. Feel that electricity? That's called art -- or at least it's a metaphor for the Surrealist art of Max Ernst.
Gilles Deleuze was a French philosopher whose work resists facile classifications such as Postmodern or Poststructural. Indeed, the concept at the core of his methodology -- if we can still use that word -- is difference. According to the odd logic of difference, a thing -- a text, a chair, a concep