A World War I flying ace, a piano-factory worker who earned a degree in medicine, a published anthropologist, a scenarist with Hungarian silents, and most notably, a Hollywood filmmaker for Universal Studios, Paul Fejos appears in film histories as a short footnote. He's remembered, and occasional
Georges Seurat's "A Sunday Afternoon on the Island of La Grande Jatte" (1886) remains a landmark painting. It established the Parisian artist as one of the figures who would push Impressionism towards its logical conclusion. And push he did, in the direction of abstraction and a radically scientific
In Sophocles' world, the gods have receded. They've already determined (more or less) the fate of human beings and are content to watch from a comfortable distance. Of course, it's unclear exactly what their motives are; it all seems basically arbitrary and cruel. Indeed, the morality of the gods is
Often called "the first of the moderns," Francisco Jose de Goya y Lucientes trailed legend behind him wherever he went. Even casual acquaintances were struck by Goya's surplus of personality: he was fiercely independent, an amateur toreador, a relentless adventurer, at times a street fighter, and (si