Simon Rodia was born in Italy, and immgirated to California. In 1921 he moved to the small town of Watts and began working on a strange project that would consume the next thirty-four years of his life. Spending what little money he earned as a construction worker on cement and steel, he worked ni
In an Eisenstein film, loose, metaphorical associations displace narrative continuity: images related only by analogy cut up chronological sequences. Physical action is by turns slowed down to a grueling pace and sped up to a frenzy. In every respect, Sergei Eisenstein's films are challenging. And ye