The medium didn't matter, but the object meant everything. Whether he was using his canvas for a Cubist experiment or his camera for an avant-garde digression, Fernand Leger always placed the object at the center of his work.
Leger was the only French Cubist to devote himself, throughout his c
Peter Blake creates collages that are undoubtedly odd but never jarring or disruptive. His taste for cut-and-paste techniques does not, like most dada art, culminate in black humor; Blake is nothing if not light. He opposes nothing and negates nothing but instead basks in the icons of popular culture
Chila Kumari Burman was raised by East Indians who emigrated to the impoverished Bootle district of Liverpool in the '50s. She was taught early and young to look for identity between the cracks of culture.
Burman uses memorabilia from her past -- shards of humor, pain, and the unexplained -- to
In the mid-1980s, Wang Guangyi espoused a humanist vision of art for post-Mao China. His series of paintings entitled "Frozen North Pole" sought to evoke, in the artist's words, "a kind of beauty of sublime reason which contains constant, harmonious feelings of humanity." Abstract human figures place