Errol Morris may be always be known as the man who inspired director Warner Herzog to eat his own shoe, but the storied career of the Academy Award winning documentarian has done its own part to establish him as an artist who can surely walk on his own two feet.
In an Eisenstein film, loose, metaphorical associations displace narrative continuity: images related only by analogy cut up chronological sequences. Physical action is by turns slowed down to a grueling pace and sped up to a frenzy. In every respect, Sergei Eisenstein's films are challenging. And ye