"The writer is in a god-like relation to what he creates," Martin Amis once mused in an interview. The question that logically follows is: what kind of god is Amis? Well, he is clearly not the god of Leibniz, who could only create the "best of all possible worlds." In fact, the case could easily be m
The arts at the beginning of twentieth century saw a turn from social realism to a more expressionistic pathos, and the work of Yasunari Kawabata (Kawabata Yasunari) was no exception. In the 1920s his association with the Neo-Sensualists says it all: these writers employed lyrical and impressionistic
Crowds, conspiracies, consumer society, and futile attempts to thwart despair -- these are the trademark features of the work of Don DeLillo, a prolific American novelist at the edge of contemporary trends.
DeLillo is undoubtedly an ironist, as his characters relentlessly mock their relation to
Sylvia Plath, one of the best-known names in American women's literature, signed her first and her last books with pseudonyms. A poet since childhood, she published her debut volume "A Winter Ship" relatively late, in 1960. After studying at Smith College and later at Newnham College in Cambridge (a