If Walter Ruttman had not been killed while making a newsreel on the frontlines of World War II, the history of film might have turned out differently. He made breathtakingly beautiful movies -- both animated and shot --that radically departed from the traditional narratives of contemporaries like Ch
'I wanted to make a movie that would be a jumble of images, instead of just showing the highlights of each scene. I wanted to show the details, and if such detail could be seen as a mosaic of the whole, and in retrospect, if the view could recall the movie in that way, then that would fit my intentio