The medium didn't matter, but the object meant everything. Whether he was using his canvas for a Cubist experiment or his camera for an avant-garde digression, Fernand Leger always placed the object at the center of his work.
Leger was the only French Cubist to devote himself, throughout his c
Art is at once a product of culture and a creator of it. Our attitudes toward artists and artistic creation are currently ambivalent; society at large marginalizes artists but also reveres the few creators that float the multi-billion dollar art market. Critic Suzi Gablik investigates our attitudes t
The members of the De Stijl movement were pious, self-effacing artists bent on creating pure and accessible art. Although the Dutch painter Piet Mondrian did not himself organize the groups with which he is associated -- De Stijl, Cercle et Carr' (Circle and Square), and Abstraction-Cr'ation -- his p
One of the early experimenters with the telephoto lens, Penn perceived photography as a distillation of reality, rather than an elaboration upon it. He achieved deliberately structured compositions by borrowing from the natural northern lighting of traditional European painters.
His first cover f