In the mid-'80s, Pina Bausch's Dance Theater Wuppertal, from Germany, began to make a racket on the international scene with exhaustive, often violent forays into sex and gender. One person paying special attention was Lloyd Newson. Unhappy with the way dance emphasized technique at the cost of meani

Athleticism, Body politic/identity dance, Homoerotic, In-your-face, Masculine, Phallic, Physical force

Bill T. Jones's acclaimed multicultural dance company, Bill T. Jones/Arnie Zane and Company, continues to relish a record of undimmed critical success. Jones has created a stunning corpus of pattern-driven, avant-garde pieces that explore life's journeys -- an intimate topic for Jones, who is the son

Body politic/identity dance, Homoerotic, Political, Queer literature, Sexy, Sublime, Technology