Imagine holding the end of a live wire in each hand. Now imagine one end is shaped like a turtle and the other end is, let's say, Pavarotti's beard. Now bring them together. Feel that electricity? That's called art -- or at least it's a metaphor for the Surrealist art of Max Ernst.
Ernst explain
"Felliniesque" -- even if you have never watched a scrap of his film, this adjective summons up a world of oddity, magnificence, and pathos that testifies to Federico Fellini's creative genius. Initially part of the Italian Neorealist wave, he soon veered towards an idiosyncratic style all his own. F
When Romeo Gigli designs clothing, he takes his inspiration "not [from] the human body itself, but [from] the essence of the personality inside that the body can convey...I am totally convinced that 'the essential' is the greatest elegance one can have." Gigli has become a leader in the fashion world
Like an avenging angel invading the capital of high culture, Pablo Picasso came to Paris to confront the establishment and write himself across the face of modernity. He viewed art as a way of recreating himself, and invented -- only to later shed -- any number of artistic styles.
The young Picas