Imagine holding the end of a live wire in each hand. Now imagine one end is shaped like a turtle and the other end is, let's say, Pavarotti's beard. Now bring them together. Feel that electricity? That's called art -- or at least it's a metaphor for the Surrealist art of Max Ernst.
According to Jacques Derrida, structure -- the structure of language, for example -- occupies an impossible and ideal position: it at once posits an absolute center that holds everything together and a meta-perspective that also holds everything together. For Derrida, then, structure is defined by a
When Alvin Ailey stumbled into Lester Horton's dance theater at UCLA, he abandoned his original plan to major in foreign languages. Instead, he moved to fulfill his destiny and become one of the finest, most influential, and most beloved Modern choreographers of this century. Just one year after his