Director John Huston lit up the screen with riveting adaptations of genres ranging from modern epic ("Moby Dick") to Southern Gothic ("Reflections in a Golden Eye," "Night of the Iguana") and pulp fiction ("The Maltese Falcon"). Fiercely independent and uncompromising in his cinematic style, John Hus

Epic, Expansive, Film noir and neo-noir

How can we explain the incredible talent that rises clear as a bell off the scratchy old recordings of bluesman Robert Johnson? If we believe the legends, Johnson got his gift on a lonely Mississippi road when he met up with Beelzebub himself. The devil offered Johnson a musical genius that would tea

Expansive, Gritty, Overflowing, Religious, Saturated, Visceral

In the Preface to his "Leaves of Grass," Walt Whitman wrote: "The proof of a poet is that his country absorbs him as affectionately as he has absorbed it." His words have shown true for himself, as Whitman's influence is felt everywhere in American poetry. Even one hundred years after "Leaves of Gras

Beats, Epic, Expansive, Homoerotic, Joyful, Layered, Overflowing, Political, Repetition, Romantic poetry, Transcendentalism

Nino Rota was one of the most prolific and acclaimed film composers of his era, and his 30-year collaboration with Fellini became one of the classic director-composer pairings. His soundtrack credits range from Fellini's "La Dolce Vita" to Franco Zeffirelli's "Romeo and Juliet" to Francis Ford Coppo

Classical, Expansive, Playful, Surreal