One thing we can say about Giulio Paolini's work is that it makes us think. Constantly evolving, from the geometric designs in the 1960s to the later, highly theoretical conceptual works, Paolini's art has always maintained a dynamic vitality, refusing to settle down into a comfortable, proven path.
April Greiman has worked for Esprit, XeroxCorp, and Benetton, but her defining design statement came in a revolutionary issue of Design Quarterly that personalized graphic design.
After completing studies with Wolfgang Weingart at the Basel School of Design, Greiman moved first to New York and the
Video art -- that amorphous, ill-defined, ubiquitous beast of the art world -- is blessed with the presence of pioneer Bill Viola. He is one of the few contemporary Video artists who explores the medium both conceptually and sensually, rather than using it as a narrative document or film substitute.
The mystically inspired Louis Kahn was born in Estonia and raised in the United States. He acquired a thorough grounding in the Beaux-Art school of architecture and worked through the 1920s and 1930s first as a draughtsman and then as a head designer. Kahn infused his buildings with monumentalism, ri