Anyone who likes all four beats bumping hard on the floor has heard of Carl Cox. Considered "the greatest DJ in the world" by loyal fans and fawning critics alike, Cox jumped into the British dance scene in the late '70s and never looked back. He's a master of techno who knows how to keep a bit of gr
Lauded by Details Magazine as "the metal machine music of Lou Reed's nightmares," Future Sound of London bridges the gap between the driving beats of techno and the pleasant waves of orchestral ambient music. Out from the trashbin of mid-'90s techno, the group's sound has emerged without a smudge.
Michael Tippett was never satisfied with one kind of musical form. Operas, symphonies, concertos, sonatas, choral works, string quartets -- he dabbled in them all. Even within a single work, he was fond of combining numerous influences, from Beethoven to English folk music to reggae to rap. Tippett's
He saw the movie "Wild Style" in 1987 and bought a turntable the next day. Something about Grandmaster Flash's vinyl theatrics keyed into DJ Krush's body and brain. He knew he'd come across a new calling the moment he heard the edgy articulations of the scratched record and the breakbeat rhythm. With