In Sophocles' world, the gods have receded. They've already determined (more or less) the fate of human beings and are content to watch from a comfortable distance. Of course, it's unclear exactly what their motives are; it all seems basically arbitrary and cruel. Indeed, the morality of the gods is
Musicologists usually break up the great Ludwig van Beethoven's career into three periods: early, middle, and late. But to add a touch more flavor, you could call them the "I'm young and getting my feet wet" period, followed by the "Since I'm going deaf, I'm gonna get wacky and break some rules" peri
The early nineteenth century's cultural explosion owed much of its excitement to the battle between two opposing artistic camps. Fading Romanticism and youthful Classicism were throwing punches, and Goethe felt the tug of both sides. He considered both angles: the humanistic force of Romanticism h
Poe once wrote that all worldly things contain "the germ of their inevitable annihilation." Pretty cheerful stuff -- clearly this was a man obsessed with ruin and with death. His characters typically suffer from various forms of mental and physical deterioration; their minds seem to have a predilecti