"A camera in your hand and an idea in your head" was how film critic-turned-filmmaker Glauber Rocha characterized the creative conditions under which Brazil's "Cinema Novo" (New Cinema) began. Rocha was the movement's guiding spirit, both in theory and in practice, as he and other filmmakers sought t

Cinema novo, Epic, Intense, Political, Social revolution, Violent

Both spiritual father and sustaining mother to an infant art, D. W. Griffith expanded the artistic horizons of audiences, safely shepherding cinema into adulthood and nurturing its unique language. Malcontent as a mere film actor, Griffith joined Biograph Studios in 1908 as a writer and director, del

Classic hollywood, Epic, Grand, Mythic, Pioneering, Political, Silent film

Tarkovsky's poetic films, interwoven with loose narrative threads and strikingly sublime images, demand a lot from the viewer, but return much more. In his signature piece "Andrei Rublev" (1969), a three-hour exposition on the fifteenth-century painter, Tarkovsky takes the viewer through series of sc

Depressive, Implosive, Moodscape, Pathos, Political

A visionary, revitalizing force in the New German Cinema of the 1970s, Werner Herzog articulated the dreams of the human spirit. In contrast to his contemporaries, who focused on frenzied, high-tech effects and chaotic jump cuts, Herzog used a lyrical film language to depict quiet spaces of epic unfo

Dystopic, Epic, Excessive, New german cinema, Pioneering, Political, Rebel, Tribal