Gwendolyn Brooks, Poet Laureate of Illinois since 1968, is the first black writer to have won the Pulitzer Prize: her second book of poetry, "Annie Allen," was selected for the award in 1950. Born in 1917, Brooks began her writing career while still a child growing up in the slums of Chicago. At the

African american fiction, In-your-face, Modernist poetry, Pathos, Political, Urban

In the Preface to his "Leaves of Grass," Walt Whitman wrote: "The proof of a poet is that his country absorbs him as affectionately as he has absorbed it." His words have shown true for himself, as Whitman's influence is felt everywhere in American poetry. Even one hundred years after "Leaves of Gras

Beats, Epic, Expansive, Homoerotic, Joyful, Layered, Overflowing, Political, Repetition, Romantic poetry, Transcendentalism

As a teacher, writer, and cultural critic, bell hooks consistently pinpoints the nastiest dust balls of sexism, racism, and homophobia that lurk in the dark corners of society. She challenges readers of all cultural or political stances with the perspective that no 'ism' is flawless and no one is ent

African american fiction, Deconstructive, Feminism, Feminist, In-your-face, Political, Women's literature

Known to refer to herself on occasion as "Zora, Queen of the Niggerati," Zora Neale Hurston cut a provocative figure during the Harlem Renaissance, both in her person and in her writing. As folklorist, teacher, anthropologist, and author, Hurston was a champion of black heritage. She visited Haiti an

African american fiction, Feminist, Political, Southern gothic, Spiritual, Tribal, Women's literature