In 1991, Matthew Barney exploded onto the New York art scene with all the force of his often insanely physical videos. Just eight years later, a New York Times article dared to crown him "the most important artist of his generation." The occasion was the release of "Cremaster," one of a cycle of five
Vito Acconci, performance and video artist, has created seminal works of art in the truest sense of the word. Particularly considering his most notorious performance, "Seedbed" (1971), which involved Acconci masturbating on the Sonnabend Gallery floor. For "Seedbed" Acconci performed beneath a sloped