Vito Acconci, performance and video artist, has created seminal works of art in the truest sense of the word. Particularly considering his most notorious performance, "Seedbed" (1971), which involved Acconci masturbating on the Sonnabend Gallery floor. For "Seedbed" Acconci performed beneath a sloped
He twists common colloquial forms -- like signs, stuffed animals and felt banners -- and infuses them with the dark psychologies and hidden undercurrents (sexual, metaphysical, and otherwise) of middle-class American culture, assaulting everything that society holds dear. From his first rambling perf