Pedro Costa has made digital works since the turn of the 21st Century due to a number of influences and philosophical premises. Through his 1997 film, Ossos (Bones), Costa shot on film and perfected a style of shadow and elision equal parts Bresson, Rivette, Ford and Tourneur. After working in the Li

Architectural, Beautiful , Bright, Collage, Contemplative, Egalitarian, Event, Experimental, Geometric, Gritty, Intimate, Joyful, Perceptual, Political, Quiet, Rhythmic, Rough, Severe, Spare, Spectral, Subtle

Fellig's nickname was a phonetic rendering of Ouija, due to his frequent arrival at scenes only minutes after crimes, fires or other emergencies were reported to authorities. He is variously said to have named himself Weegee, or to have been named by either the girls at Acme Newspictures or by a poli

Documentary photography, Monochromatic, Psychological, Rough

Muelle was a trademark signature and design by Juan Carlos Argüello, Spanish graffiti pioneer (circa 1966-1995). Around 1980, during the Madrilene cultural Movida, Argüello started reproducing the logo he had designed in walls and public spaces of Madrid. It consisted of the word Muelle (Spanish

Graffitists and cartoonists, Illustration, Melancholy, Rough, Whimsical

Sebastiao Salgado is a Brazilian documentary photographer and photojournalist. After a somewhat itinerant childhood, Salgado initially trained as an economist, earning a master’s degree in economics from the University of São Paulo in Brazil. He began work as an economist for the International

Documentary photography, Epic, Gritty, Industrial, Intense, Masculine, Representational, Rough, Urban