Pedro Costa has made digital works since the turn of the 21st Century due to a number of influences and philosophical premises. Through his 1997 film, Ossos (Bones), Costa shot on film and perfected a style of shadow and elision equal parts Bresson, Rivette, Ford and Tourneur. After working in the Li

Architectural, Beautiful , Bright, Collage, Contemplative, Egalitarian, Event, Experimental, Geometric, Gritty, Intimate, Joyful, Perceptual, Political, Quiet, Rhythmic, Rough, Severe, Spare, Spectral, Subtle

When Boston's Museum of Fine Arts launched a retrospective of Imamura's films, it was entitled, "Pigs, Pimps and Pornographers: The Films of Shohei Imamura." The films' brutal sexuality and unsparing scrutiny of a certain Japanese underbelly have made Imamura one of the most controversial filmmakers

Agitated, Profane, Rough, Violent