In Sophocles' world, the gods have receded. They've already determined (more or less) the fate of human beings and are content to watch from a comfortable distance. Of course, it's unclear exactly what their motives are; it all seems basically arbitrary and cruel. Indeed, the morality of the gods is

Classical, Classical greek, Excessive, Pathos, Sublime, Tense, Tragic, Violent

With long, lithe, limber legs, impossibly arching feet, and enviable turn-out, Michael Clark's physique resembles that of a ballerina. He has even pushed that comparison himself by donning a tutu. On the other hand, he's also danced around in an "I Hate NY" T-shirt and his birthday suit. Clark exp

Body politic/identity dance, Classical, Dissonant, Erotic, Expansive, Grand, Gritty, Manic, Pure movement

"The one important thing I have learnt over the years is the difference between taking one's work seriously and taking one's life seriously. The first is imperative and the second, disastrous." So decreed the legendary ballerina who was born Margaret Hookham, nicknamed Peggy, and eventually became kn

Bright, Classical, Ebullient, Elegant, Euphoric, Glamour

"It is very undemocratic to be prescribed your areas of concern, the issues you want to deal with as an artist." The fact that Shobana Jeyasingh was born in India is a complex fact that audiences, funders, and critics might wish she'd address in simpler, more dogmatic terms. The English immigrant ref

Classical, Deconstructive, Expansive, Geometric, Lush