Dieter Appelt Dieter Appelt has been a Professor of Photography, Film and Video at the Hochschule der Kunst in Berlin since 1982. He studied photography at the Academy of Fine Art in Berlin as well as music at Leipzig and Berlin Music Academies. Appelt's work of the late 70's & 80's was typically

Avant-garde film, In-your-face, Intense, Intimate, Organic, Political, Portrait, Self-reflection

Marc Lafia is a new media artist interested in systems and events, authoring machines, context and meaning. His work re-writes, re-invents meaning or enunciation through rewriting forms. Marc’s work emerges in the context of net art, in the condition that the network, new technologies and computati

Architectural, Avant-garde film, Chance, Citational, Conceptual, Conceptual photography, Discourse as event, Event, Expansive, Intimate, Layered, Playful, Repetition, Self-reflection

"I always thought that if I managed to photograph somebody often enough, I could never lose them. My photographs are, however, the proof of how much I have lost." When Nan Goldin began photographing drug addicts, poets, musicians, and the homosexual underground, she had no idea how much she was to

Catastrophe, Grotesque, Intimate, Pathos, Psychological, Subculture

Alfred Stieglitz spent his life pushing for the acknowledgement of photography as a valid art form. In 1923, when the Museum of Fine Arts hosted some of Stieglitz's photographs, it marked the first time that the American public saw photography in a major American museum. Stieglitz was born in New J

Contemplative, Ethereal, Intimate, Pictorialism, Sincere