Friedrich began filmmaking in 1978 and has produced and directed eighteen 16mm films and videos, including From the Ground Up (2007), Seeing Red (2005),The Head of a Pin (2004), The Odds of Recovery (2002), Hide and Seek (1996), Rules of the Road (1993), First Comes Love (1991), Sink or Swim (1990),

Avant-garde film, Intimate, Lyrical, Nostalgic, Self-reflection

Atmospheric, Baroque, Beautiful , Chance, Classic hollywood, Classical, Clever, Composed, Conceptual, Contemplative, Dense, Dissonant, Dreamy, Ethereal, Experimental, Fleeting, Functional, Funny, Geometric, Hi-tech, Hypnotic, Illusive, Improvised, Intense, Intimate, Lush, Lyrical, Melancholy, Minimal, Open-ended, Organic, Paranoid, Playful, Pop, Quiet, Self-reflection, Sensual, Serene, Serial, Sincere, Smart, Sophisticated, Spare, Spectral, Sprawling, Sublime, Subtle, Visceral

Pedro Costa has made digital works since the turn of the 21st Century due to a number of influences and philosophical premises. Through his 1997 film, Ossos (Bones), Costa shot on film and perfected a style of shadow and elision equal parts Bresson, Rivette, Ford and Tourneur. After working in the Li

Architectural, Beautiful , Bright, Collage, Contemplative, Egalitarian, Event, Experimental, Geometric, Gritty, Intimate, Joyful, Perceptual, Political, Quiet, Rhythmic, Rough, Severe, Spare, Spectral, Subtle

Dieter Appelt Dieter Appelt has been a Professor of Photography, Film and Video at the Hochschule der Kunst in Berlin since 1982. He studied photography at the Academy of Fine Art in Berlin as well as music at Leipzig and Berlin Music Academies. Appelt's work of the late 70's & 80's was typically

Avant-garde film, In-your-face, Intense, Intimate, Organic, Political, Portrait, Self-reflection