Initially a photographer, Agnès Varda has been making films since 1956, and is one of the few women associated with the French New Wave, though more accurately, work by Varda belongs more precisely to the complementary Rive Gauche (Left Bank Cinema) movement, along with Chris Marker, Alain Resnais,

Experimental, Intimate, Lyrical, Pioneering, Playful, Political, Self-reflection

Absurd, Angry, Baroque, Beautiful , Bright, Bubblicious, Cartoonish, Clean, Clever, Cool, Dark, Decorative, Dissonant, Distorted, Dramatic, Ecstatic, Excessive, Experimental, Fantastic, Figurative, Glamour, Grand, Improvised, Intense, Intimate, Masculine, Moody, Neurotic, Organic, Political, Pop, Primal, Psychedelic, Psychological, Rebel, Religious, Serene, Sophisticated, Spiritual, Surreal, Technology, Tranquil, Trippy, Violent, Whimsical, Wise assy, Witty

Pedro Costa has made digital works since the turn of the 21st Century due to a number of influences and philosophical premises. Through his 1997 film, Ossos (Bones), Costa shot on film and perfected a style of shadow and elision equal parts Bresson, Rivette, Ford and Tourneur. After working in the Li

Architectural, Beautiful , Bright, Collage, Contemplative, Egalitarian, Event, Experimental, Geometric, Gritty, Intimate, Joyful, Perceptual, Political, Quiet, Rhythmic, Rough, Severe, Spare, Spectral, Subtle

Kieślowski remains one of Europe's most influential directors, his works included in the study of film classes at universities throughout the world. The 1993 book Kieślowski on Kieślowski describes his life and work in his own words, based on interviews by Danusia Stok. He is also the subject of a

Contemplative, Intimate, Self-reflection, Sincere, Social revolution