Initially a photographer, Agnès Varda has been making films since 1956, and is one of the few women associated with the French New Wave, though more accurately, work by Varda belongs more precisely to the complementary Rive Gauche (Left Bank Cinema) movement, along with Chris Marker, Alain Resnais,

Experimental, Intimate, Lyrical, Pioneering, Playful, Political, Self-reflection

Absurd, Angry, Baroque, Beautiful , Bright, Bubblicious, Cartoonish, Clean, Clever, Cool, Dark, Decorative, Dissonant, Distorted, Dramatic, Ecstatic, Excessive, Experimental, Fantastic, Figurative, Glamour, Grand, Improvised, Intense, Intimate, Masculine, Moody, Neurotic, Organic, Political, Pop, Primal, Psychedelic, Psychological, Rebel, Religious, Serene, Sophisticated, Spiritual, Surreal, Technology, Tranquil, Trippy, Violent, Whimsical, Wise assy, Witty

Atmospheric, Baroque, Beautiful , Chance, Classic hollywood, Classical, Clever, Composed, Conceptual, Contemplative, Dense, Dissonant, Dreamy, Ethereal, Experimental, Fleeting, Functional, Funny, Geometric, Hi-tech, Hypnotic, Illusive, Improvised, Intense, Intimate, Lush, Lyrical, Melancholy, Minimal, Open-ended, Organic, Paranoid, Playful, Pop, Quiet, Self-reflection, Sensual, Serene, Serial, Sincere, Smart, Sophisticated, Spare, Spectral, Sprawling, Sublime, Subtle, Visceral

Pedro Costa has made digital works since the turn of the 21st Century due to a number of influences and philosophical premises. Through his 1997 film, Ossos (Bones), Costa shot on film and perfected a style of shadow and elision equal parts Bresson, Rivette, Ford and Tourneur. After working in the Li

Architectural, Beautiful , Bright, Collage, Contemplative, Egalitarian, Event, Experimental, Geometric, Gritty, Intimate, Joyful, Perceptual, Political, Quiet, Rhythmic, Rough, Severe, Spare, Spectral, Subtle