Artists often talk about how they hope their work will fundamentally transform the way their audience thinks, perceives, or experiences reality. As members of that monolithic cultural phenomenon "the audience," we should, perhaps, wonder what certain works are doing to our minds. One piece in particu
Recognized as a major figure almost from the moment of his arrival in New York in 1905, George Bellows proceeded to win every imaginable artistic award and honor before he was 30, and continued to produce acknowledged masterpieces up to the time of his death. Bellows enrolled at the New York School o
Ono's work has generally consisted of quiet, personalized, meditative pieces, as well as "event" shows or Happenings, all of which were highly conceptual and often required observer participation to complete. In her "Stone Show" (early 1960s), participants entered a room measuring about 20 square fee
"De Kooning is probably the most libidinal painter America has ever had." So says art critic Robert Hughes, and when we look at de Kooning's paintings, the way he immersed himself in the female form in his famous "Women" series from the 50s, and the way the body -- admittedly in pieces, but the sensu