A member of the legendary Cahiers quintet, Jacques Rivette was a critic before a filmmaker. Reading his early criticism, though, it’s clear he thought in images from the start, even in words, emphasizing closed complex circuits of mise-en-scene, the better to form meaning. However, he trains one ey
Takahashi is a gardener of junk. With the utmost patience she tenderly weeds through a crazy jumble of found objects -- clocks, hammers, old paint buckets, scraps of paper, electric fans -- and arranges them in a most fastidious manner. While her installations look like the scene of an accident or a
Trained as a filmmaker Lafia's work is informed by a joyous engagement with the formal qualities of artistic practice. In his own words, his "work is an exploration of how discourse constructs itself." His early experimental films -- "Auto-re-tour" and "Fini La Guerre" -- investigate the tensions be