"A camera in your hand and an idea in your head" was how film critic-turned-filmmaker Glauber Rocha characterized the creative conditions under which Brazil's "Cinema Novo" (New Cinema) began. Rocha was the movement's guiding spirit, both in theory and in practice, as he and other filmmakers sought t

Cinema novo, Epic, Intense, Political, Social revolution, Violent

"M. Butterfly" is the ostensibly true story of a French diplomat who carries on a 17-year affair with a bewitching Chinese opera star, only to discover that she is not only a spy, but also a man. The play, rooted in a tabloid headline and realized in a retelling of Puccini's famous "Madam Butterfly,"

Eclectic, Epic, Layered, Off-broadway, Political

Akira Kurosawa fits easily in the pantheon of preeminent directors of the century. His films have exerted unforeseen influences on post-WWII film. George Lucas used his 'Hidden Fortress' as a model for 'Star Wars"; Sergio Leone adapted his samurai tales to the spaghetti western; John Sturges transfor

Classical japanese, Epic, Psychological, Self-reflection, Violent

Fran'ois Truffaut's name is by now synonymous with the French New Wave. The movement's birth was heralded when Truffaut printed his official manifesto against "le cinema de papa" in the journal Cahiers du Cinema. "A Certain Tendency in French Cinema," appearing in 1954, rocked the French film world's

Epic, French new wave, Lyrical, Psychological, Sensual